I've promised myself that I WILL finish the first draft of Erimon Hill before the 18th of May, because that only gives me one month to write the ENTIRE second draft in time for the OYAN workshop, which starts on the 18th, I believe, of June. I suspect this is an unrealistic goal. Especially since the whole plot will probably change, and I'll have to outline all over again, and add stuff, and change stuff, and it's gonna be a mess, I can already tell. But THAT IS MY GOAL. Basically, nobody bother me until then. I will be attending a few (read: four on the same day) graduation parties between now and then, and Brenticus and I shall have our Firefly marathon, and I will be at Worlds of Fun, but other than that, I SHALL NOT BE DISTURBED. On pain of death, you understand.
And now, some pictures of Andra.
Andra making a displeased face. Perhaps because I decided that clothing is an unnecessary distraction from her lovely face. Or perhaps because that's just how her face looks all the time.
A fun little doodle. The word "formal," in this case, has nothing to do with anything. Ignore it.
The hood! I've been meaning to draw her with the hood, and I continually forgot for some months, and then in English class one day, I remembered. Yay.
And here I must mention that I don't remember exactly when in the story this happens, but at some point (or perhaps several points) Andra is indeed forced to her knees by some bad guy or other. Notice here how said anonymous bad guy is completely invisible except for his wonky arms. Because I'm awesome. Or lazy. Or both.

Here I decided that Andra needed to grow a consistant face, so I proceeded to draw her like twenty times. It was an entertaining exercise, although I'm not sure it entirely served its purpose. Oddly, I think the one that looks the most like her is the one with her hair down and wearing a dress. Odd, because she almost never looks like that. I also have to point out that the thing on her leg in the top right corner of the page is her new and shiny leg brace, which I thought of a few months ago, which led to a complete reimagining of the story world. Thus complicating the second draft like no other. *raaage* Italy didn't help. Or maybe it did, depending on how you look at it. Certainly gave me ideas.
Here's the brace for realz. It's a strip of metal strapped to the back of her leg and a stirrup-ish thing that corrects her turned-in ankle. I like it way better than the stupid modified boot. So there.
Anybody remember her handmaiden, Hollie? This is her. I will probably be changing her name, but in any case, there she is.
And there she is again, being sad. And there's Andra, trying to make her feel better. Aww.
And look, the new version of Fable! He looks sort of Italian now, I think. There's a reason for that. I'll explain shortly here. First, I would love for you to notice how very well all of those hands came out. *happysquee*

NOW, the Italian influence. Here's what I'm thinking. The generic backwards fantasy world which these characters have been inhabiting until recently is exceedingly backwards and generic. It's mightily embarassing. I know I can do better. After returning from Italy, I had the brilliant idea of bumping up the time period from medieval to Rennaisance and changing the base cultural/geographical model from England to Italy. So now it's a parallel Italian Rennaisance-type setting, and there are subsequently a whole bunch of lovely factoids I can apply, such as: the practice of building cities on top of hills, with a fortress or church in the middle and streets spiraling down from there, in order to be in a defensible position against the barbarian hordes; the strong presence of a central church/religion (it won't be Catholicism, I'mma make it up); a genius inventor person (not Da Vinci, but someone modelled on him) whose inventions were applicable enough to become the primary form of technology, like Italian clockpunk, I guess; a self-contained seat of political/religious leadership, separate from the rest of the country (like the Vatican, but actually Kyria); sacred symbolism, as in the case of the four winged creatures that represent the Evangelists existing as actual species (although I'd rather have six as a sacred number, so I'd have to think of two more types of winged creatures - I'll have to brainstorm some more); the presence of the Romani people so that I can still have my lovely gypsies; and several others that have temporarly slipped my mind. Anyway, I'm pretty sure it's gonna be completely awesome.
On another subject, the bro and Brenticus and I went to see Avengers in 3D on Thursday. I was truly expecting it to suck, but actually, it was super beasty and hilarious, and now I really want to see it again because it made me laugh so hard. Also, I love Loki's pretty face. Not so much his duck hair, but what can you do. You guys, I have the hugest weak spot for pretty men and clever humor. Hence my ongoing infatuation with X-Men First Class, I suppose.
I'm out of school now, by the way, but no less busy for it. At least, it seems that way to me. But, DONE WITH HIGH SCHOOL YAAAY! *danceparty*
Commander Kip
"Wait, you need a plan of attack!" "I have a plan. Attack."
Normal is overrated!